Travertine stone, Getty Center, 5 days ago

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“Travertine Stone at the Getty Center  by Eric Doehne …

     ” xxx Travertine is a product of the earth’s water and carbon cycles. As carbon dioxide-rich rainwater percolates through soil and stone, it slowly dissolves tremendous quantities of limestone along underground fissures. Reemerging at the surface as a spring (now saturated with dissolved limestone), this water releases carbon dioxide gas into the atmosphere—much like carbonated mineral water. Because of this “Perrier effect,” the limestone can no longer remain in solution.

It recrystallizes, typically as the water cascades over organic films made of bacteria, algae, and mosses. A dense, banded carbonate stone is built up over time as new material covers older layers.
“Calcite and gypsum, the minerals that make up about 99 percent of travertine stone, are colorless. The beautiful honey color of the Getty Center travertine actually has its origin in the other 1 percent of the stone: traces of yellow sulfur, brown iron compounds, and organic pigments. The intricate “Swiss cheese” texture of travertine is partly the result of gas bubbles, which are often trapped between layers of stone, creating spherical voids. Minerals crystallizing on the ever-present bacteria in travertine deposits—like granular snow blanketing a miniature landscape—preserve organic growth forms, called “shrubs,” and produce much of the rugged relief evident across the stone’s surface. In some cases, travertine layers are similar to tree rings, with lighter and darker laminations representing seasons of growth.  

     ” Travertine is found in greatest abundance where hot and cold springs have been active for tens of thousands of years. The most famous travertine location, and the source of the stone used for the Getty Center, is Bagni di Tivoli, 20 kilometers east of Rome, where travertine deposits over 90 meters thick have been quarried for over two thousand years. xxx” (from getty.edu)

 

Cardinale Seduto, Giacomo Manzù, Getty Center

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Credits: As embedded in the materials or as stated in the text; all materials are used here non-commercially for academic purposes.

Cardinale Seduto, Giacomo Manzù, Getty Center

Information from getty.edu :
Title: Cardinale Seduto
Artist/Maker: Giacomo Manzù (Italian, 1908 – 1991)
Culture: Italian
Date: 1975 – 1977
Medium: Bronze
Dimensions:
215.9 x 116.2 x 135.9 cm, 308.446 kg (85 x 45 3/4 x 53 1/2 in., 680 lb.)
Copyright: © Inge Manzù
Credit Line:Gift of Fran and Ray Stark
From getty.edu : “The stylized clothing of this serene, seated cardinal creates a dramatic pyramidal form. An unbroken conical sweep, the cardinal’s vestment or robe extends from his feet to his mask-like face. Covering his forehead, his headdress, known as a miter, functions as the “tip” of the pyramid. The folds in the vestment emphasize the bronze’s weight and volume but also create tension and dynamism, enlivening the form. A tiny hand emerges from beneath the garments to remind us that there is a body beneath this powerful bronze cladding. But body and vestment form an indissoluble whole.
“In the early 1930s, Giacomo Manzù visited Rome, where the sight of the Pope flanked by two cardinals in St Peter’s Basilica struck him as a singularly timeless image. From the late 1930s to the late 1950s, the sculptor produced more than fifty cardinals–standing and seated, large and small, in bronze, alabastar, and marble. Over this long series, Manzù increasingly contained the cardinal figure in rigid compact forms that evoked funerary pyramids or pillars.

With only one exception, the cardinals were all conceived without a model, their features invented entirely by the artist.”