Cardinale Seduto, Giacomo Manzù, Getty Center

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Cardinale Seduto, Giacomo Manzù, Getty Center

Information from getty.edu :
Title: Cardinale Seduto
Artist/Maker: Giacomo Manzù (Italian, 1908 – 1991)
Culture: Italian
Date: 1975 – 1977
Medium: Bronze
Dimensions:
215.9 x 116.2 x 135.9 cm, 308.446 kg (85 x 45 3/4 x 53 1/2 in., 680 lb.)
Copyright: © Inge Manzù
Credit Line:Gift of Fran and Ray Stark
From getty.edu : “The stylized clothing of this serene, seated cardinal creates a dramatic pyramidal form. An unbroken conical sweep, the cardinal’s vestment or robe extends from his feet to his mask-like face. Covering his forehead, his headdress, known as a miter, functions as the “tip” of the pyramid. The folds in the vestment emphasize the bronze’s weight and volume but also create tension and dynamism, enlivening the form. A tiny hand emerges from beneath the garments to remind us that there is a body beneath this powerful bronze cladding. But body and vestment form an indissoluble whole.
“In the early 1930s, Giacomo Manzù visited Rome, where the sight of the Pope flanked by two cardinals in St Peter’s Basilica struck him as a singularly timeless image. From the late 1930s to the late 1950s, the sculptor produced more than fifty cardinals–standing and seated, large and small, in bronze, alabastar, and marble. Over this long series, Manzù increasingly contained the cardinal figure in rigid compact forms that evoked funerary pyramids or pillars.

With only one exception, the cardinals were all conceived without a model, their features invented entirely by the artist.”

“That Profile”, Martin Puryear, Getty Center

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i-Phone-shot by Myra Lambino yesterday, July 7, 2017

Information from getty.edu Title: That Profile
Artist/Maker: Martin Puryear (American, born 1941)
Culture: American
Date:1999
Medium:Stainless steel, bronze
Dimensions:
1371.6 × 914.4 × 345.4 cm (540 × 360 × 136 in.)
Copyright: © Martin Puryear
“A marvel of artistry and engineering, Martin Puryear’s sculpture rises on six slender legs to a height of forty-five feet above the broad expanse of travertine pavement on the plaza at the Getty Center. Stout strands of silver-patinated bronze bind the joints of the airy network of welded, sandblasted stainless steel tubes, two and three inches in diameter. 

Elegant in its apparent simplicity, the sculpture’s complex structure reveals its true character only slowly. The sculpture’s meaning likewise resists a fixed identity, suggesting both a delicate fishnet cast against the sky and a human head in profile. From some viewpoints, it appears to be fully round, but its south face is flat, while the north face curves gently through the air.
That Profile was commissioned by the Getty.” (getty.edu)